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Meet Our Contributors, MQR 55:1

Meet the poets, essayists, fiction writers, and translators of MQR 55:1.

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Garbage People, Mr. Kafka, Hansel and Gretel Get Guns, and more

Excerpts and curios from around the web: Franz Kafka's workout regimen, the linguistic history of 'garbage person,' classic fairy tales re-imagined by the NRA, and a chance to rip open your shirt and...

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Literary Hate Mail, Sex with Shakespeare, and more

Excerpts and curios from around the web: The enduring art of literary hate mail, Shakespeare as a springboard for spanking, some thoughts on why giving up writing might not be wrong, and Lydia Davis on...

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From the Archive: “Presence” by Czesław Miłosz

When I ran barefoot in our gardens by the river Nieviaza Something was there, that I didn’t then try to name: Everywhere, between the trunks of linden trees, on the sunny side of the lawn, on the path...

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SVU with a Vengeance: The Horrors of “Ladivine”

There's an emphasis on character action in fiction that I've always found hilariously American. We don't read for historical perspective, for philosophy, for abstraction or allegory or poetic language...

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“We Are Always Us: The Boundaries of Elena Ferrante,” by Natalie Bakopoulos

The friendship is both tender and antagonistic, deeply intimate and full of spite, and Elena reflects on the difficulty of telling her own story without Lila in it. There is Lila’s story and there is...

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Climbing Lion Rock: An Interview with Wawa and Henry Wei Leung

"This intense, absurd tragedy, I realize now, is my invisible foundation. The myth of Pei Pei is born here—an image that picks up the devastation between Nietzsche and the world and between me and Hong...

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“January 1, 1924,” by Osip Mandelstam

Oh, life of clay! Oh, century’s death throes! I am afraid only he will understand you Who wears the helpless human smile of a man Who has exhausted himself.

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Four Pheasants for Your Silence: A Review of Marcel Proust’s “Letters to His...

The portrait these letters paint of an artist trying to hone his craft at all costs transforms them from obscure Proustiana into a richer portrait of Proust the man, neighbor, and writer.

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From the Archive: “To Silvestre Revueltas of Mexico, In His Death,” by Pablo...

When a man like Silvestre Revueltas goes back into the ground at last, there is a rumor, a wave's voice and a cry that makes ready and makes known his departure.

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